Soderbergh's return to the big screen is a tossed-off entertainment machine.
Reviews
Scott Nye
Scott Reviews Ronald Neame’s Hopscotch [Criterion Blu-ray Review]
The greatest film ever made (or so it seems) comes to Blu-ray.
Joshua Reviews Jang Hoon’s A Taxi Driver [Theatrical Review]
This based-on-a-true-story political drama is one of 2017's great world cinema surprises.
Joshua Brunsting
Joshua Reviews Bertrand Bonello’s Nocturama [Theatrical Review]
Bertrand Bonello returns with another startling film, this time leaving the world of YSL behind (sort of), instead taking a look at modern millennial malaise.
Joshua Reviews Kogonada’s Columbus [Theatrical Review]
From visual essays to feature filmmaking, Kogonada has made a leap few have attempted and completely succeeded.
Scott Reviews Luchino Visconti’s Conversation Piece [Masters of Cinema Blu-ray Review]
Visconti's penultimate film is a haunting, painful exploration of regret and jealousy.
Trevor Reviews Robert Bresson’s L’argent [Criterion Blu-ray Review]
The Criterion Collection presents Robert Bresson's final, nihilistic film, the masterpiece L'argent.
Trevor Berrett
Scott Reviews Andrei Tarkovsky’s Stalker [Criterion Blu-ray Review]
How to present a stunning theatrical experience on home video? This is how.
David Reviews Albert Brooks’s Lost in America [Criterion Blu-Ray Review]
This road comedy explores the peril and potential of life outside the protective canopy of the Nest Egg.
David Blakeslee
Joshua Reviews Donna Deitch’s Desert Hearts [Theatrical Review]
Now in theaters, this is one of the year's most exciting repertory discoveries.
Joshua Reviews Martin Provost’s The Midwife [Theatrical Review]
Despite having the makings of a relatively standard melodrama, Provost's film finds actress Catherine Deneuve at possibly the best she's been in ages.
Scott Reviews Hou Hsiao-hsien’s Daughter of the Nile [Masters of Cinema Blu-ray Review]
The first catalogue Hou film to hit Blu in the west proves an excellent starting point for the acclaimed director.
Joshua Reviews Andrew Rossi’s Bronx Gothic [Theatrical Review]
Film looks at Okwui Okpokwasili’s one-woman show of the same name.
Joshua Reviews Robert Bresson’s L’argent [Criterion Collection Blu-ray Review]
The final film from Robert Bresson finally arrives on Criterion Collection DVD and Blu-ray, along with one of the company's best recent supplements.
Joshua Reviews Errol Morris’ B-Side: Elsa Dorfman’s Portrait Photography [Theatrical Review]
Errol Morris' latest effort is both a touch too long and yet arguably the director's most charming and warm work thus far in his historic career.