New documentary gives us a first hand look at the fall of Saigon.
Reviews
Joshua Brunsting
Scott Reviews André de Toth’s The Other Love [Blu-ray Review]
The 1947 melodrama offers a wonderful Stanwyck performance in a rather tepid narrative.
Scott Nye
David Reviews Bob Fosse’s All That Jazz [Dual-Format Review]
The release of Fosse's blistering and entertaining exercise in self-excoriation also marks the end of Criterion's dual-format experiment.
David Blakeslee
Sean Reviews Alfonso Cuarón’s Y tu mamá también [Dual-Format Review]
Five years after it was first announced, Alfonso Cuarón's international smash hit finally makes its way to the Collection.
Sean Hutchinson
Joshua Reviews Thomas Allen Harris’ Through A Lens Darkly [Theatrical Review]
New documentary looks at the history of photography through a very specific and enthralling historical lens.
Sean Reviews David Mackenzie’s Starred Up [Theatrical Review]
This raw and volatile prison drama features an exhilarating performance from newcomer Jack O'Connell
Scott Reviews Elio Petri’s L’Assassino [Blu-ray Review]
Petri's debut is a fierce, uncompromising examination of the many ways one can damn oneself.
Joshua Reviews Joel Soisson’s Cam2Cam [Theatrical Review]
New thriller has arrived thanks to the team at IFC Midnight.
Joshua Reviews Irving Pichel’s Mr. Peabody And The Mermaid [Blu-ray Review]
This forgotten comedy finally arrives on Blu-ray.
Joshua Reviews Lawrence Kasdan’s The Big Chill [Dual-Format Review]
One of the best films of the 1980s finally comes to The Criterion Collection.
Sean Reviews Erik Skjoldbjærg’s Insomnia [Dual-Format Review]
This early spine number gets a pristine upgrade and deserves to be rediscovered.
Joshua Reviews Amy Browne, Jeremy Kaplan, Tony Hale And Brian Wilson’s A Will For The Woods [Theatrical Review]
Documentary looks at one man's journey to find the perfect "green" burial.
Joshua Reviews Chris Marker’s Level Five [Theatrical Review]
The wait is over as Marker's legendary film finally arrives stateside.
Catherine Reviews Charlie McDowell’s The One I Love [Fantasia 2014 Review]
The Charlie Kaufman-lite The One I Love is a flimsy but highly amusing relationship fantasy.
Catherine Stebbins
Joshua Reviews Joe Swanberg’s Happy Christmas [Theatrical Review]
Continuing to grow as an auteur, Swanberg's latest may very well be his most mature and intriguing work to date.