David Reviews Bob Fosse’s All That Jazz [Dual-Format Review] The release of Fosse's blistering and entertaining exercise in self-excoriation also marks the end of Criterion's dual-format experiment. David BlakesleeSeptember 1, 2014
Sean Reviews Alfonso Cuarón’s Y tu mamá también [Dual-Format Review] Five years after it was first announced, Alfonso Cuarón's international smash hit finally makes its way to the Collection. Sean HutchinsonAugust 29, 2014
Joshua Reviews Thomas Allen Harris’ Through A Lens Darkly [Theatrical Review] New documentary looks at the history of photography through a very specific and enthralling historical lens. Joshua BrunstingAugust 29, 2014
Sean Reviews David Mackenzie’s Starred Up [Theatrical Review] This raw and volatile prison drama features an exhilarating performance from newcomer Jack O'Connell Sean HutchinsonAugust 27, 2014
Scott Reviews Elio Petri’s L’Assassino [Blu-ray Review] Petri's debut is a fierce, uncompromising examination of the many ways one can damn oneself. Scott NyeAugust 22, 2014
Joshua Reviews Joel Soisson’s Cam2Cam [Theatrical Review] New thriller has arrived thanks to the team at IFC Midnight. Joshua BrunstingAugust 22, 2014
Joshua Reviews Irving Pichel’s Mr. Peabody And The Mermaid [Blu-ray Review] This forgotten comedy finally arrives on Blu-ray. Joshua BrunstingAugust 22, 2014
Joshua Reviews Lawrence Kasdan’s The Big Chill [Dual-Format Review] One of the best films of the 1980s finally comes to The Criterion Collection. Joshua BrunstingAugust 15, 2014
Sean Reviews Erik Skjoldbjærg’s Insomnia [Dual-Format Review] This early spine number gets a pristine upgrade and deserves to be rediscovered. Sean HutchinsonAugust 15, 2014
Joshua Reviews Amy Browne, Jeremy Kaplan, Tony Hale And Brian Wilson’s A Will For The Woods [Theatrical Review] Documentary looks at one man's journey to find the perfect "green" burial. Joshua BrunstingAugust 15, 2014
Joshua Reviews Chris Marker’s Level Five [Theatrical Review] The wait is over as Marker's legendary film finally arrives stateside. Joshua BrunstingAugust 15, 2014
Catherine Reviews Charlie McDowell’s The One I Love [Fantasia 2014 Review] The Charlie Kaufman-lite The One I Love is a flimsy but highly amusing relationship fantasy. Catherine StebbinsAugust 14, 2014
Joshua Reviews Joe Swanberg’s Happy Christmas [Theatrical Review] Continuing to grow as an auteur, Swanberg's latest may very well be his most mature and intriguing work to date. Joshua BrunstingAugust 11, 2014
Scott Reviews Fritz Lang’s Frau im Mond [Masters of Cinema Blu-ray Review] Lang's visceral, thrilling, awe-inspiring sci-fi adventure gets one of the best transfers of the year. Scott NyeAugust 11, 2014
Joshua Reviews Tracy Droz Tragos And Andrew Droz Palermo’s Rich Hill [Theatrical Review] Documentary looks at growing up in rural America. Joshua BrunstingAugust 7, 2014