This Oscar-nominated war drama is one of the best looks at the real morality of modern war to date.
Theatrical Film Reviews
Joshua Brunsting
Joshua Reviews Southbound [Theatrical Review]
This take on the horror anthology film is first must see scarefest of 2016.
Joshua Reviews Andrea Marini’s Art Of The Prank [Slamdance Review]
This new documentary looks at one of the great, and underrated, media satirists of our time.
Joshua Reviews Angela Boatwright’s Los Punks: We Are All We Have [Slamdance Review]
New documentary looks at one of the music world's smallest, yet most vital, scenes.
Joshua Reviews Derek Kimball’s Neptune [Slamdance Review]
This new drama is one of the best films Slamdance has offered its attendees in years.
Joshua Reviews Arturo Ripstein’s Bleak Street [Theatrical Review]
This noir takes us into not only the world of murder and prostitution, but lucha libre wrestling.
Joshua Reviews Jay Dockendorf’s Naz And Maalik [Theatrical Review]
This debut feature from Dockendorf looks at two black, Muslim men in Brooklyn as they deal with things ranging from sexuality to gentrification.
Joshua Reviews Phillipe Garrel’s In The Shadow Of Women [Theatrical Review]
The first must-see film of 2016 comes from one of French cinema's great underrated masters.
Joshua Reviews Stephen Cone’s Henry Gamble’s Birthday Party [Theatrical Review]
New film is a decidedly quiet bit of counter programming to the slate of Oscar-hopefuls expanding in the coming weeks.
Joshua Reviews Paulo Thiago’s This Is Bossa Nova [Theatrical Review]
New documentary looks at the history, lineage and craft behind the music that is known as Bossa Nova.
Joshua Reviews Andrew Haigh’s 45 Years [Theatrical Review]
Amidst journeys to a galaxy far far away and the return of Quentin Tarantino, one of the year's best films quietly arrives this holiday.
Joshua Review Miguel Gomes’ Arabian Nights: Volume Three – The Enchanted One [Theatrical Review]
This marks the final chapter in Miguel Gomes' magnificent Arabian Nights series.
Joshua Reviews Miguel Gomes’ Arabian Nights: Volume 2, The Desolate One [Theatrical Review]
The second in Miguel Gomes' epic trilogy is Portugal's Oscar submission this year.
Joshua Reviews Todd Haynes’ Carol [Theatrical Review]
One of the year's most anticipated films not only lives up to the hype, but smashes any and all expectations.
Scott Reviews Alejandro G. Iñárritu’s The Revenant [Theatrical Review]
Iñárritu's latest is magnificently accomplished and very shallow.
Scott Nye