Joshua Reviews Marcel Pagnol’s Marseille Trilogy [Theatrical Review] One of French cinema's most important trilogies returns to theaters thanks to a gorgeous new restoration currently touring via Janus Films. Joshua BrunstingJanuary 3, 2017
Joshua Reviews Ermanno Olmi’s The Tree Of Wooden Clogs [Theatrical Review] Olmi's hard-to-see classic finally arrives back in theaters thanks to a gorgeous 4K restoration and theatrical run via Janus Films. Joshua BrunstingDecember 16, 2016
Joshua Reviews Pablo Larrain’s Jackie [Theatrical Review] One of three films this year from Pablo Larrain, Jackie may be one of this generation's truly great biopics. Joshua BrunstingDecember 2, 2016
Joshua Reviews Mia Hansen-Love’s Things To Come [Theatrical Review] 2016 is Isabelle Huppert's year, and we couldn't be luckier for it. Joshua BrunstingDecember 2, 2016
Joshua Reviews Lucile Hadzihalilovic’s Evolution [Theatrical Review] After a decade-plus hiatus from feature film directing, Hadzihalilovic returns with a breathtaking art house science fiction experiment. Joshua BrunstingNovember 23, 2016
Joshua Reviews Papu Curotto’s Esteros [Theatrical Review] This quiet drama is a moving portrait of two estranged best friends and their second chance at love Joshua BrunstingNovember 18, 2016
Joshua Reviews Tony Stone’s Peter And The Farm [Theatrical Review] This evocative new documentary looks at the solitary life of a truly solitary figure. Joshua BrunstingNovember 18, 2016
Joshua Reviews Kim A. Snyder’s Newtown [Theatrical Review] Snyder's new documentary is a profoundly moving journey through the grieving process with a small community devastated by an unthinkable tragedy. Joshua BrunstingOctober 10, 2016
Joshua Reviews Andre Techine’s Being 17 [Theatrical Review] Driven by two star making lead performances, Being 17 is a genuine surprise from two of French cinema's great artists. Joshua BrunstingOctober 10, 2016
Joshua Reviews Remi Chaye’s Long Way North [Theatrical Review] This debut animated feature is a gorgeous, picture book-like adventure film. Joshua BrunstingSeptember 30, 2016
Joshua Reviews Elite Zexer’s Sand Storm [Theatrical Review] Zexer's debut feature is one of the year's great looks at the power dynamics within families and generations in a traditional Israeli village. Joshua BrunstingSeptember 30, 2016
Joshua Reviews Rosemary Myers’ Girl Asleep [Theatrical Review] This new Aussie import is a delightful, if twee, coming of age comedy. Joshua BrunstingSeptember 24, 2016
Joshua Reviews Robert Cannan And Ross Adam’s The Lovers And The Despot [Theatrical Review] Can a too-nuts-to-be-true story elevate a straight forward, talking head documentary? Joshua BrunstingSeptember 24, 2016
Joshua Reviews Maiwenn’s My King [Theatrical Review] From one of world cinema's most polarizing figures comes a great, if uneven, melodrama with a pair of superb performances. Joshua BrunstingAugust 12, 2016
Joshua Reviews Laura Israel’s Don’t Blink – Robert Frank [Theatrical Review] One of the year's most intimate documentaries takes us inside the life and work of one of photography and experimental cinema's most influential artists. Joshua BrunstingJuly 15, 2016