Joshua Reviews Junfeng Boo’s Apprentice [PIFF 2017 Review] The latest drama from director Boo Junfeng is a slow burn meditation on capital punishment and one of PIFF 2017's great surprises. Joshua BrunstingFebruary 18, 2017
Joshua Reviews Salome Lamas’ Eldorado XXI [PIFF 2017 Review] This new entry in the canon of ethnographic documentaries is at once a profound and yet deeply challenging cinematic experience. Joshua BrunstingFebruary 17, 2017
Joshua Reviews Angela Schanelec’s The Dreamed Path [PIFF 2017 Review] The latest film from director Angela Schanelec is a quiet yet profound look at love and loneliness. Joshua BrunstingFebruary 17, 2017
Joshua Reviews Eduardo Williams’ The Human Surge [PIFF 2017 Review] As great a debut as any filmmaker could hope for, Williams' first feature documentary is among the very best non-fiction works of the past handful of years. Joshua BrunstingFebruary 16, 2017
Joshua Reviews Terence Davies’ A Quiet Passion [PIFF 2017 Review] Terence Davies returns with what may be his best film to date. Joshua BrunstingFebruary 15, 2017
Joshua Reviews Albert Serra’s The Death Of Louis XIV [PIFF 2017 Review] One of the greatest actors of his generation teams with an stalwart of the art cinema world for one of PIFF 2017's most esoteric works. Joshua BrunstingFebruary 14, 2017
Joshua Reviews Mauro Herce’s Dead Slow Ahead [PIFF 2017 Review] One of this PIFF 2017's best films is also one of documentary cinema's most singular achievements in years. Joshua BrunstingFebruary 10, 2017
Scott Reviews Luca Guadagnino’s Call Me By Your Name [Sundance 2017] A sexy, rich, beautiful masterpiece. Scott NyeFebruary 9, 2017
Scott Reviews Alexandre Moors’ The Yellow Birds [Sundance 2017] A jumbled mess of post-Vietnam cliches with some very strong performances. Scott NyeFebruary 3, 2017
Scott Reviews Eliza Hittman’s Beach Rats [Sundance 2017] An honest depiction of a closed-off life. Scott NyeFebruary 3, 2017
Scott Reviews Margaret Betts Novitiate [Sundance 2017] Betts makes a striking narrative feature debut. Scott NyeFebruary 2, 2017
Scott Reviews Nacho Vigalondo’s Colossal [Sundance 2017] Mistakes become monstrous in Vigalondo's alcohol drama. Scott NyeFebruary 1, 2017
Scott Reviews David Lowery’s A Ghost Story [Sundance 2017] Possibly a masterpiece; definitely a rich, lovely, moving film. Scott NyeJanuary 31, 2017
Scott Reviews François Ozon’s Frantz [Sundance 2017] Ozon finds commonalities with Lubitsch in his remake. Scott NyeJanuary 29, 2017
Scott Reviews Dustin Guy Defa’s Person to Person [Sundance 2017] Defa's sophomore feature is rich with humanity, humor, and worn-down shops. Scott NyeJanuary 28, 2017