Director Ben Wheatley follows up 2020's disposable Rebecca remake/adaptation with a real return to form.
Sundance
Joshua Brunsting
Joshua Reviews Ahmir “Questlove” Thompson’s Summer Of Soul: When The Revolution Could Not Be Televised [Sundance 2021]
Questlove's debut feature is a deeply moving recounting of a historic concert series set against a tumultuous moment in American history.
Joshua Reviews Ronny Trocker’s Human Factors [Sundance 2021]
This new drama is a harrowing dive into a dissolving family unit after a life-altering act of violence.
Joshua Reviews Prano Bailey-Bond’s Censor [Sundance 2021]
This new horror film marks the auspicious debut of director Prano Bailey-Bond, who has crafted a haunting and haunted rumination on trauma and memory.
Five Films To See At Sundance 2021
As the festival nears its starting line, we take a look at five unsung gems from this year's roster.
Scott Reviews Desiree Akhavan’s The Miseducation of Cameron Post [Sundance 2018]
Her follow-up to Appropriate Behavior is a similarly socially-engaged, complex portrait.
Scott Nye
Scott Reviews Jim Hosking’s An Evening with Beverly Luff Linn [Sundance 2018]
Not all of the humor will land for everyone; not all of it landed for me. But it hits where it counts.
Scott Reviews Panos Costmatos’s Mandy [Sundance 2018]
Cosmatos returns to the cinema with a somewhat-more-standard affair that still thrills.
Scott Reviews Paul Dano’s Wildlife [Sundance 2018]
Dano's directorial debut is uncommonly mature and thoughtful.
Scott Reviews Gus Van Sant’s Don’t Worry, He Won’t Get Far on Foot [Sundance 2018]
At once oddly-paced and structurally ingenious, Van Sant's latest is lovelier than it may initially appear.
Scott Reviews Wash Westmoreland’s Colette [Sundance 2018]
An absolutely beautiful film about the endless quest to find oneself.
Scott Reviews Luca Guadagnino’s Call Me By Your Name [Sundance 2017]
A sexy, rich, beautiful masterpiece.
Scott Reviews Alexandre Moors’ The Yellow Birds [Sundance 2017]
A jumbled mess of post-Vietnam cliches with some very strong performances.
Scott Reviews Margaret Betts Novitiate [Sundance 2017]
Betts makes a striking narrative feature debut.