2016 is Isabelle Huppert's year, and we couldn't be luckier for it.
Theatrical Film Reviews
Joshua Brunsting
Joshua Reviews Lucile Hadzihalilovic’s Evolution [Theatrical Review]
After a decade-plus hiatus from feature film directing, Hadzihalilovic returns with a breathtaking art house science fiction experiment.
Joshua Reviews Papu Curotto’s Esteros [Theatrical Review]
This quiet drama is a moving portrait of two estranged best friends and their second chance at love
Joshua Reviews Tony Stone’s Peter And The Farm [Theatrical Review]
This evocative new documentary looks at the solitary life of a truly solitary figure.
Joshua Reviews Julie Dash’s Daughters Of The Dust [Theatrical Review]
One of the great, yet unsung, entries in the '90s American independent cinema scene finally gets a new restoration on its 25th anniversary.
Joshua Reviews Anna Biller’s The Love Witch [Theatrical Review]
This ode to classic melodramas and Euro-sexploitation films is a delightful, if overly long, experiment in genre.
Joshua Reviews Anna Muylaert’s Don’t Call Me Son [Theatrical Review]
From the director of last year's superb The Second Mother comes this startlingly magnetic coming of age tale, led by a star-making performance.
Joshua Reviews Werner Herzog’s Into The Inferno [Theatrical Review]
Herzog's second film of 2016 takes the viewer to the edge of nature's most violent entity and the results are startling.
Joshua Reviews Nancy Buirski’s By Sidney Lumet [Theatrical Review]
This new documentary looks squarely at the life and work of the late filmmaker, as experienced by Lumet himself.
Joshua Reviews John McNaughton’s Henry: Portrait Of A Serial Killer [Theatrical Review]
One of the great thrillers of all time, McNaughton's debut feature is back in theaters with a superb new 4K restoration.
Joshua Reviews Juzo Itami’s Tampopo [Theatrical Review]
One of the great films of all time returns to theaters with a gorgeous new 4K restoration.
Scott Reviews Park Chan-wook’s The Handmaiden [Theatrical Review]
The real fun is what's underneath this twisty thriller.
Scott Nye
Joshua Reviews David Schisgall’s Theo Who Lived [Theatrical Review]
This new documentary tells the story of a journalist kidnapped by a terrorist cell, and held under false pretenses.
Joshua Reviews Alex Lehmann’s Blue Jay [Theatrical Review]
Led by two top tier performances, this debut drama from director Alex Lehmann is an assured, if quiet, relationship drama.
Joshua Reviews Kim A. Snyder’s Newtown [Theatrical Review]
Snyder's new documentary is a profoundly moving journey through the grieving process with a small community devastated by an unthinkable tragedy.