And these are just a few of the festival's highlights.
Joshua Brunsting
Joshua Brunsting
Joshua Reviews Francois Ozon’s Double Lover [Theatrical Review]
Ozon returns with a knotty, if unsubtle, thriller unlike anything he's done before.
Ten Films You Need To See At This Year’s Portland International Film Festival [PIFF 41]
The festival runs February 15-March 1.
Doc Fortnight Returns For 17th Annual Series, Runs February 15-26
And here are the films you need to look out for.
Joshua Reviews Alex Ross Perry’s Golden Exits [Theatrical Review]
Alex Ross Perry returns with a stellar cast and arguably his most moving and mature work to date.
Joshua Reviews G. W. Pabst’s Westfront 1918 And Kameradschaft [Blu-ray Review]
These two rarely seen films are not only groundbreaking works from a great unsung auteur, but also some of Criterion's most exciting releases in ages.
Joshua Reviews Philippe Garrel’s Lover For A Day [Theatrical Review]
Philippe Garrel returns with yet another great, devastating, look at modern love.
Joshua Reviews Jonas Carpignano’s A Ciambra [Theatrical Review]
This Martin Scorsese-produced picture is a stunning look at life on the margins in Italy, from one of the country's great filmmakers.
To Save And Project Marks MoMA’s 15th Annual Festival Of Film Preservation; Includes Films From Akerman, Fassbinder
For its 15th series, MoMA once again brings to light the latest and greatest in film restorations.
Joshua Reviews Manfred Kirchheimer’s Tall: The American Skyscraper And Louis Sullivan [Theatrical Review]
Originally produced in 2006, this brilliant and experimental documentary finally arrives stateside for its US theatrical debut this weekend.
Joshua Reviews Andres Veiel’s Beuys [Theatrical Review]
This new documentary looks at the life and work of one of Germany's great modern artists.
Joshua Reviews Andrey Zvyaginstev’s The Banishment [Theatrical Review]
Nearly 11 years after its initial debut, Zvyaginstev’s sophomore effort arrives stateside as part of a career spanning retrospective.
Joshua Reviews Daniela Thomas’ Vazante [Theatrical Review]
The solo feature debut of director Daniela Thomas is an early discovery of 2018, an assured black and white feature that’s utterly breathtaking.
Joshua Reviews Tomás Gutiérrez Alea’s Memories Of Underdevelopment [Theatrical Review]
This classic Cuban masterpiece returns to theaters for its 50 year anniversary, as a Criterion Collection release looms.
Joshua Reviews Maysaloun Hamoud’s In Between [Theatrical Review]
2018 starts off with a moving look at life caught between modernity and tradition in Tel Aviv.