Legally Blonde-helmer Robert Luketic returns with this wafer thin, yet oddly charming romantic comedy.
Reviews
Joshua Brunsting
Joshua Reviews Asif Kapadia’s Diego Maradona [Theatrical Review]
With his latest foray into the world of sports documentary, filmmaker Asif Kapadia once again cements himself as one of the great documentarians of this generation.
Joshua Reviews Alejandro Landes’ Monos [Theatrical Review]
Landes returns with one of the year's most singular films, a haunting and visceral political allegory unlike anything you've seen in 2019.
Joshua Reviews Irene Taylor Brodsky’s Moonlight Sonata: Deafness In Three Movements [Theatrical Review]
This intimate, generation-spanning memoir is a tender look at life with hearing loss that's as intimate narratively as it is universal emotionally.
Joshua Reviews Lindsey Cordero And Armando Croda’s I’m Leaving Now [Theatrical Review]
After a much-heralded festival run, this empathetic portrait of one man's struggle to get back to his family finally arrives in theaters.
Joshua Reviews Janice Engel’s Raise Hell: The Life And Times Of Molly Ivins [Theatrical Review]
The legendary political commentator is the subject of a new propulsive, if rudimentary, biographical documentary
Joshua Reviews Julia Reichert And Steven Bognar’s American Factory [Theatrical Review]
Oscar nominees Reichert and Bognar return with yet another brilliant rumination on life in the American manufacturing machine.
NYC’s Metrograph Launches New ‘Shaw Sisters’ Retrospective Highlighting Shaw Brothers Films Directed By Women
This new retrospective runs August 23-September 8
Joshua Reviews Francesco Zippel’s Friedkin Uncut [Theatrical Review]
Friedkin's career gets placed in the spotlight for this flat, thin biodoc.
Joshua Reviews Lucio Castro’s End Of The Century [Theatrical Review]
Castro's debut feature is a quiet, unassuming romantic drama that exceeds all expectations.
Joshua Reviews Roberto Minervini’s What You Gonna Do When The World’s On Fire [Theatrical Review]
Director Roberto Minervini returns with another masterful feature documentary.
Joshua Reviews Mariano Llinas’ La Flor [Theatrical Review]
At roughly 14 hours the film may be daunting, but it's also a masterful deconstruction of genre and storytelling and maybe the best film of the year.
Joshua Reviews Britt Poulton And Dan Madison Savage’s Them That Follow [Theatrical Review]
This new thriller takes viewers into a fundamentalist sect for one of the summer's more haunting, if uneven, dramas.
Joshua Reviews Jacques Rivette’s Joan The Maid [Theatrical Review]
Rivette's long sought after masterpiece finally returns to theaters in a glorious new restoration.
Joshua Reviews Karim Amer And Jehane Noujam’s The Great Hack [Theatrical Review]
Now on Netflix, this new documentary looks keenly at the world of data mining in the social network age, and its political ramifications.