The Hitman director returns with arguably his best film to date.
Reviews
Joshua Brunsting
Trevor Reviews Ingmar Bergman’s The Virgin Spring [Criterion Collection Blu-ray Review]
The Criterion Collection's new Blu-ray of Ingmar Bergman's The Virgin Spring is a shimmering presentation that makes the film -- a dark exploration of faith, murder, and revenge -- new again.
Trevor Berrett
Trevor Reviews John Schlesinger’s Midnight Cowboy [Criterion Collection Blu-ray Review]
John Schlesinger's Midnight Cowboy is always going to be remembered as the first and only X-rated film to win the Best Picture Academy Award. But beyond this bit of trivia, and despite some of its flaws, Midnight Cowboy...
Joshua Reviews Nobuhiko Obayashi’s Hanagatami [Fantasia 2018]
Legendary Japanese auteur Nobuhiko Obayashi returns with a passion project par excellence.
Scott Reviews Christopher McQuarrie’s Mission: Impossible – Fallout [Theatrical Review]
Breathlessly exciting, there are images in this I could not believe I was seeing.
Scott Nye
Joshua Reviews Roland Vranik’s The Citizen [Theatrical Review]
This tender third film from director Roland Vranik is an empathetic, if flat, migrant story that's timely and important.
Joshua Reviews Lisa Immordino Vreeland’s Love, Cecil [Theatrical Review]
Chronicling the life and work of artist Cecil Beaton, Love, Cecil is a captivating (if slightly thin) look at one of the great multi-hyphenates of the era.
Joshua Reviews Joao Dumans And Affonso Ochoa’s Araby [Theatrical Review]
After a lengthy festival run, Araby finally arrives in theaters and is one of the year's great unsung gems.
Joshua Reviews The Zellner Brothers’ Damsel [Theatrical Review]
The Zellner Brothers return with one of their best films to date, a spin on the Western genre that's more than meets the eye.
Joshua Reviews Brett Haley’s Hearts Beat Loud [Theatrical Review]
Following up last year's Sam Elliott-driven The Hero, director Brett Haley returns with his best film yet.
Joshua Reviews Agnes Varda’s One Sings, The Other Doesn’t [Theatrical Review]
Varda's rarely seen masterpiece is back in theaters this weekend, and is ripe for rediscovery.
Trevor Reviews Sergei Parajanov’s The Color of Pomegranates [Criterion Collection Blu-ray Review]
Sergei Parajanov's 1969 film The Color of Pomegranates is a one-of-a-kind masterpiece of poetic cinema. The new Criterion Collection edition has a beautiful presentation of the film alongside several supplements that...
Joshua Reviews Carla Simon’s Summer 1993 [Theatrical Review]
Carla Simon's debut feature, Spain's Oscar submission for this year's awards show, is a brilliant look at grief through the eyes of a young child.
Chang Cheh Retrospective Runs May 23-29 At The Quad Cinema
Theater will be showing 14 classics from director Chang Cheh, seven on 35mm.
Joshua Reviews Paul Schrader’s First Reformed [Theatrical Review]
Paul Schrader returns with a masterpiece that feels both like a career summation as well as a new step forward.