This claustrophobic thriller is one of 2020's great discoveries and one of its very best horror films.
Theatrical Film Reviews
Joshua Brunsting
Joshua Reviews Jen Rainin’s Ahead Of The Curve
As Pride Month comes to a close, one of the great LGBTQ+ documentaries of 2020 arrives.
Joshua Reviews Josephine Decker’s Shirley [Theatrical Review]
The latest from director Josephine Decker is a haunting, often dream-like riff on the life, and more so the work, of one of America's great authors.
Joshua Reviews Andrew Patterson’s The Vast Of Night [Theatrical Review]
Marking the debut of director Andrew Patterson, The Vast of Night is a fascinating, if thin, period science-fiction picture.
Joshua Reviews Michael Winterbottom’s The Trip To Greece [Theatrical Review]
The final chapter in the Trip franchise is a provocative, yet endlessly charming, buddy comedy that's much deeper than meets the eye.
Joshua Reviews Dan Sallitt’s Fourteen [Theatrical Review]
Dan Sallitt returns with a beautiful and heartbreaking exploration of time and friendship.
Joshua Reviews Drake Doremus’ Endings Beginnings [Theatrical Review]
Drake Doremus returns with a new Shailene Woodley-starring romantic drama.
Joshua Reviews Neasa Hardiman’s Sea Fever [Theatrical Review]
This new eco-horror film is rooted heavily in classics like The Thing and Alien, yet frustratingly can't leave those influences aside.
Joshua Reviews Chris Durrance And Barak Goodman’s Slay The Dragon [Theatrical Review]
This new documentary looks at the rise of gerrymandering, and its impact on politics in the US writ-large.
Joshua Reviews Katrine Philp’s An Elephant In The Room [Theatrical Review]
Winner of the top documentary prize at this year's SXSW Film Festival, this new documentary is a transfixing look at grief as seen through the eyes of children.
Joshua Reviews Ken Loach’s Sorry We Missed You [Theatrical Review]
Ken Loach returns with a empathy-fueled rumination on the gig economy that's an undeniable must-see.
Joshua Reviews Corneliu Porumboiu’s The Whistlers [Theatrical Review]
Porumboiu returns with a pulpy film noir pastiche that's one of the early must-see films of 2020.
Joshua Reviews Angela Schanelec’s I Was At Home, But… [Theatrical Review]
Angela Schanelec's latest film is one of her most personal, a touching and challenging rumination on grief that's maybe her greatest achievement yet.
Joshua Reviews Jeremy Teicher’s Olympic Dreams [Theatrical Review]
The first feature to be shot at The Olympics, Olympic Dreams is a moving, tender take on the romantic comedy.
Joshua Reviews Horace B. Jenkins’ Cane River [Theatrical Review]
Horace B. Jenkins' long-forgotten masterpiece returns to theaters in a glorious new new restoration from Oscilloscope.