This award winning romantic comedy may be a dry and quiet comedy, but it's also a strong debut for its rookie filmmaker.
Theatrical Film Reviews
Joshua Brunsting
Joshua Reviews Sandy McLeod’s Seeds Of Time [Theatrical Review]
Could the future of the human race depend on one man's fight to save the seeds that give us the very food we eat?
Joshua Reviews George Miller’s Mad Max: Fury Road [Theatrical Review]
Could a return to the Mad Max franchise be just the action film this generation has longed for?
Joshua Reviews Belinda Sallin’s Dark Star: H.R. Giger’s World [Theatrical Review]
He may be best known for his work with Ridley Scott's Alien, but this iconic artist was far more than that, and is now the focus of a new documentary.
Joshua Reviews Drew Taylor And Larry Weinstein’s Our Man In Tehran [Theatrical Review]
Argo may have won the awards, but this documentary gives us the true story behind that thrilling escape story.
Joshua Reviews Collin Schiffli’s Animals [Theatrical Review]
This indie darling makes the jump from the festival circuit to theaters. Does it live up to the hype?
Joshua Reviews Bruce LaBruce’s Gerontophilia [Theatrical Review]
A distinct change of pace for director Bruce LaBruce, but is this the type of change that his career needs?
Joshua Reviews Albert Maysles’ Iris [Theatrical Review]
The late filmmaker's final film is as perfect a finale as one could ever hope to have.
Joshua Reviews Zaza Urushadze’s Tangerines [Theatrical Review]
The battle for peace is not only a thing nations themselves fight for. Throughout cinema history, filmmakers have been infatuated with the idea of peace and the reasoning behind the idea of war. Be it in non-fiction...
Joshua Reviews Asghar Farhadi’s About Elly [Theatrical Review]
After six years waiting to hit US shores, Farhadi's 2009 masterpiece finally arrives this week.
Joshua Reviews Olivier Assayas’ The Clouds Of Sils Maria [Theatrical Review]
Led by three ferocious performances, Assayas' new film may very well be the director's best to date.
Joshua Reviews Hal Hartley’s Ned Rifle [Theatrical Review]
Hartley caps off his trilogy with what may be his best work to date.
Joshua Reviews Kornél Mundruczó’s White God [Theatrical Review]
This award winner finally lands on US soil after a lengthy and prosperous festival run. Does it live up to the hype?
Joshua Reviews Eugene Green’s La Sapienza [Theatrical Review]
Green's newest film is a breathtaking meditation on the power of art as an emotional release.
Catherine Reviews Kenneth Branagh’s Cinderella [Theatrical Review]
For all its additional delights, Cinderella triumphs primarily thanks to the lead performance by Lily James. A refreshingly classic take.
Catherine Stebbins