One of the greatest actors of his generation teams with an stalwart of the art cinema world for one of PIFF 2017's most esoteric works.
Posts
Joshua Brunsting
Criterion Now – Episode 4 – Black Girl, Wong Kar Wai, David Lynch
Aaron, Dave, Jessica, and Mark talk about Black Girl, Cameraperson, Wong Kar Wai, and plenty more.
Aaron West
Scott Reviews Ermanno Olmi’s The Tree of Wooden Clogs [Criterion Blu-ray Review]
Olmi's film looks great on Blu-ray, but lacks drama and poetry.
Scott Nye
Joshua Reviews Mauro Herce’s Dead Slow Ahead [PIFF 2017 Review]
One of this PIFF 2017's best films is also one of documentary cinema's most singular achievements in years.
Scott Reviews Luca Guadagnino’s Call Me By Your Name [Sundance 2017]
A sexy, rich, beautiful masterpiece.
Janus Films Announces Theatrical Release of David Lynch: The Art Life; Unveils Poster Art
Jon Nguyen, Rick Barnes and Olivia Neergaard-Holm's documentary will open at the IFC Center on March 31st.
Ryan Gallagher
Criterion Close-Up – Episode 58 – Punch-Drunk Love and the Films of Paul Thomas Anderson
Mark and Aaron discuss Punch-Drunk Love and the career of Paul Thomas Anderson.
Aaron Reviews Kirsten Johnson’s Cameraperson
Cameraperson is a uniquely revealing way of processing the impact of a vital and too often anonymous artistic discipline.
Criterion Reflections – Samaritan Zatoichi (1968) – #679
David reviews the last Zatoichi film of the 1960s and the last one of the series to be released by the Daiei Film studio.
David Blakeslee
Lineup Announced For Film Society Of Lincoln Center’s 22nd Rendez-Vous With French Cinema Series
The series runs March 1-12, includes new films from Bertrand Bonello, Bruno Dumont, more.
Joshua Reviews Tim Sutton’s Dark Night [Theatrical Review]
This singular documentary takes a fictional route to tell the story of the Aurora, Colorado massacre, and will no doubt polarize audiences in doing so.
Scott Reviews Alexandre Moors’ The Yellow Birds [Sundance 2017]
A jumbled mess of post-Vietnam cliches with some very strong performances.
Scott Reviews Margaret Betts Novitiate [Sundance 2017]
Betts makes a striking narrative feature debut.
Scott Reviews Nacho Vigalondo’s Colossal [Sundance 2017]
Mistakes become monstrous in Vigalondo's alcohol drama.