Joshua Reviews Andrew Dosunmu’s Where Is Kyra? [Theatrical Review] An uncompromising look at one woman's battle with the strains of poverty, Where is Kyra features a performance for the ages from star Michelle Pfeiffer. Joshua BrunstingApril 6, 2018
Joshua Reviews Francois Ozon’s Double Lover [Theatrical Review] Ozon returns with a knotty, if unsubtle, thriller unlike anything he's done before. Joshua BrunstingFebruary 16, 2018
Joshua Reviews Philippe Garrel’s Lover For A Day [Theatrical Review] Philippe Garrel returns with yet another great, devastating, look at modern love. Joshua BrunstingJanuary 26, 2018
Joshua Reviews Jonas Carpignano’s A Ciambra [Theatrical Review] This Martin Scorsese-produced picture is a stunning look at life on the margins in Italy, from one of the country's great filmmakers. Joshua BrunstingJanuary 19, 2018
Joshua Reviews Manfred Kirchheimer’s Tall: The American Skyscraper And Louis Sullivan [Theatrical Review] Originally produced in 2006, this brilliant and experimental documentary finally arrives stateside for its US theatrical debut this weekend. Joshua BrunstingJanuary 19, 2018
Joshua Reviews Andres Veiel’s Beuys [Theatrical Review] This new documentary looks at the life and work of one of Germany's great modern artists. Joshua BrunstingJanuary 19, 2018
Joshua Reviews Daniela Thomas’ Vazante [Theatrical Review] The solo feature debut of director Daniela Thomas is an early discovery of 2018, an assured black and white feature that’s utterly breathtaking. Joshua BrunstingJanuary 12, 2018
Joshua Reviews Junfeng Boo’s Apprentice [PIFF 2017 Review] The latest drama from director Boo Junfeng is a slow burn meditation on capital punishment and one of PIFF 2017's great surprises. Joshua BrunstingFebruary 18, 2017
Joshua Reviews Salome Lamas’ Eldorado XXI [PIFF 2017 Review] This new entry in the canon of ethnographic documentaries is at once a profound and yet deeply challenging cinematic experience. Joshua BrunstingFebruary 17, 2017
Joshua Reviews Pablo Larrain’s Jackie [Theatrical Review] One of three films this year from Pablo Larrain, Jackie may be one of this generation's truly great biopics. Joshua BrunstingDecember 2, 2016
Joshua Reviews Mia Hansen-Love’s Things To Come [Theatrical Review] 2016 is Isabelle Huppert's year, and we couldn't be luckier for it. Joshua BrunstingDecember 2, 2016
Joshua Reviews Akira Kurosawa’s Dreams [Criterion Collection Blu-ray Review] Long thought to be a potential Criterion Collection release, Dreams finally debuts on DVD and Blu-ray and as one of the company's best 2016 offerings. Joshua BrunstingNovember 23, 2016
Joshua Reviews Anna Biller’s The Love Witch [Theatrical Review] This ode to classic melodramas and Euro-sexploitation films is a delightful, if overly long, experiment in genre. Joshua BrunstingNovember 12, 2016
Joshua Reviews Anna Muylaert’s Don’t Call Me Son [Theatrical Review] From the director of last year's superb The Second Mother comes this startlingly magnetic coming of age tale, led by a star-making performance. Joshua BrunstingNovember 3, 2016
Joshua Reviews Werner Herzog’s Into The Inferno [Theatrical Review] Herzog's second film of 2016 takes the viewer to the edge of nature's most violent entity and the results are startling. Joshua BrunstingOctober 27, 2016