Keir Dullea, Deborah Kerr, and Ginger Rogers go a little crazy sometimes.
Festivals
Scott Nye
Scott’s TCM Fest Dispatch, Part Two: Economics
Dealing with money by way of Ginger Rogers, King Vidor, and...Mickey Rooney?
Scott’s TCM Fest Dispatch, Part One: Silliness
Our TCM Fest coverage kicks off with Danny Kaye, Cary Grant, Ernst Lubitsch, and three dogsleds full of redheads.
Rendez-Vous With French Cinema Runs March 1-12, includes Films By Ozon, Bonello and Dumont
Highlights include a new film by Sebastien Betbeder and an auspicious debut from Julia Ducournau.
Joshua Brunsting
MOMA’s Doc Fortnight Shines A Light On Latest And Greatest In Non-Fiction Filmmaking
This year's Doc Fortnight includes some of the best non-fiction films from across the globe.
Joshua Reviews Junfeng Boo’s Apprentice [PIFF 2017 Review]
The latest drama from director Boo Junfeng is a slow burn meditation on capital punishment and one of PIFF 2017's great surprises.
Joshua Reviews Salome Lamas’ Eldorado XXI [PIFF 2017 Review]
This new entry in the canon of ethnographic documentaries is at once a profound and yet deeply challenging cinematic experience.
Joshua Reviews Angela Schanelec’s The Dreamed Path [PIFF 2017 Review]
The latest film from director Angela Schanelec is a quiet yet profound look at love and loneliness.
Joshua Reviews Eduardo Williams’ The Human Surge [PIFF 2017 Review]
As great a debut as any filmmaker could hope for, Williams' first feature documentary is among the very best non-fiction works of the past handful of years.
Joshua Reviews Terence Davies’ A Quiet Passion [PIFF 2017 Review]
Terence Davies returns with what may be his best film to date.
Joshua Reviews Albert Serra’s The Death Of Louis XIV [PIFF 2017 Review]
One of the greatest actors of his generation teams with an stalwart of the art cinema world for one of PIFF 2017's most esoteric works.
Joshua Reviews Mauro Herce’s Dead Slow Ahead [PIFF 2017 Review]
One of this PIFF 2017's best films is also one of documentary cinema's most singular achievements in years.
Scott Reviews Luca Guadagnino’s Call Me By Your Name [Sundance 2017]
A sexy, rich, beautiful masterpiece.
Scott Reviews Alexandre Moors’ The Yellow Birds [Sundance 2017]
A jumbled mess of post-Vietnam cliches with some very strong performances.
