Paolo Sorrentino returns with a timely, if thin, look at power and corruption among the 1%.
Tag - Review
Joshua Brunsting
Joshua Reviews Robert Luketic’s The Wedding Year
Legally Blonde-helmer Robert Luketic returns with this wafer thin, yet oddly charming romantic comedy.
Joshua Reviews Asif Kapadia’s Diego Maradona [Theatrical Review]
With his latest foray into the world of sports documentary, filmmaker Asif Kapadia once again cements himself as one of the great documentarians of this generation.
Joshua Reviews Alejandro Landes’ Monos [Theatrical Review]
Landes returns with one of the year's most singular films, a haunting and visceral political allegory unlike anything you've seen in 2019.
Joshua Reviews Irene Taylor Brodsky’s Moonlight Sonata: Deafness In Three Movements [Theatrical Review]
This intimate, generation-spanning memoir is a tender look at life with hearing loss that's as intimate narratively as it is universal emotionally.
Joshua Reviews Janice Engel’s Raise Hell: The Life And Times Of Molly Ivins [Theatrical Review]
The legendary political commentator is the subject of a new propulsive, if rudimentary, biographical documentary
Joshua Reviews Francesco Zippel’s Friedkin Uncut [Theatrical Review]
Friedkin's career gets placed in the spotlight for this flat, thin biodoc.
Joshua Reviews Lucio Castro’s End Of The Century [Theatrical Review]
Castro's debut feature is a quiet, unassuming romantic drama that exceeds all expectations.
Joshua Reviews Roberto Minervini’s What You Gonna Do When The World’s On Fire [Theatrical Review]
Director Roberto Minervini returns with another masterful feature documentary.
Joshua Reviews Mariano Llinas’ La Flor [Theatrical Review]
At roughly 14 hours the film may be daunting, but it's also a masterful deconstruction of genre and storytelling and maybe the best film of the year.
Joshua Reviews Britt Poulton And Dan Madison Savage’s Them That Follow [Theatrical Review]
This new thriller takes viewers into a fundamentalist sect for one of the summer's more haunting, if uneven, dramas.
Joshua Reviews Jacques Rivette’s Joan The Maid [Theatrical Review]
Rivette's long sought after masterpiece finally returns to theaters in a glorious new restoration.
Joshua Reviews Zach Gayne’s Homewrecker [Fantasia International Film Festival 2019]
With a pair of great lead performances at its center, Homewrecker is among the best, most odd thrillers at this year's Fantasia International Film Festival.
Joshua Reviews Bora Kim’s House Of Hummingbird [Fantasia International Film Festival 2019]
Bora Kim's debut film is one of the most exciting discoveries of this year's Fantasia International Film Festival.
Joshua Reviews Rick Alverson’s The Mountain [Theatrical Review]
Rick Alverson returns with a jaundiced look at 50s Americana, one of the year's best films.